Recent Discovery Not a Caravaggio, Experts Say

In this “year of Caravaggio” — the 400th anniversary of the controversial artist’s death has seen a major exhibit in Rome, as well as the possible discovery of what’s left of his mortal remains — there was news again last week when the Vatican newspaper L’Osservatore Romano reported on a newly found painting by the late Italian Renaissance master called “The Martyrdom of St. Lawrence.”

However, numerous experts have disputed the attribution, and today the Vatican has withdrawn their claim.  Vatican Museums head Antonio Paolucci now says the painting is “most likely a copy of an original by a Caravaggio-influenced artist.”      

Caravaggios do turn up occasionally.  A few years ago, Jonathan Harr wrote a best-seller, The Lost Painting, about the rediscovery of one of the artist’s works in Ireland in 1990.    

Michelangelo Merisi da Caravaggio (1571-1610) was fairly obscure until the rekindling of interest by Roberto Longhi and others in the 20th century.  He is now viewed by some as essentially the first modern artist; many are intrigued by his troubled personal life, the details of which are mostly preserved in ancient court records, while others are fascinated by the use of strong contrasts of light and dark and the homoerotic elements in many of his paintings.       

At any rate, if you’re interested in reading about Caravaggio, follow this link to a previous post which lists some of Greensboro Public Library’s books on the great artist.


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